Greywings Anime

There is a lot to say about the seventh chapter of what is now my most beloved story, and at the same time, there isn’t a whole lot to say either.

One word that came to mind while watching was ‘anguish.’ This chapter especially was infused with an almost suffocating sense of tense despair. From Shiki’s struggle to gain closure on the serial murders, Mikiya’s determination to protect Shiki’s happiness, and Lio’s manic quest for acceptance, you could feel the gnawing of the sense of hopelessness take its toll as the chapter went on. The resolution was very much an exasperation of all the build-up throughout the series and a look forward to a new normalcy.

This chapter was apparently directed by committee. That explains the stylistic distinction between different scenes, especially the flashbacks. This may also explain the subtle feeling of a lack of cohesiveness to the movie. I can understand that ufotable wanted to put its full effort into the final chapter, and make it consistent with Murder Speculation (1st Half). However, I can’t help but wonder how this chapter would have turned out if a single director was responsible for the vision and theme of the movie.

Thinking on it a bit more, I feel that Shiki’s character development may have been a bit too subtle throughout the series. Especially since her character was barely explored in the sixth chapter, save for a few seconds of God’s Word returning her memory. She was definitely struggling with her self-imposed murderous nature, but it was a bit jarring to see her go from the strong-headed protagonist to a lost soul finally admitting it needed saving.

Animation-wise, darkness was the theme. Much more than previous chapters, street lamps and moonlight were almost the exclusive sources of lighting. While very appropriate to the story, it did limit the range of the color palette for the backgrounds, although the few city-scape shots were hauntingly beautiful. I think there were hints that ufotable was slightly impacted by the economic downturn, but the movie kept the series tradition of being a showcase for how far animation has come.

Strangely, the ending song Seventh Heaven did not seem to be as integrated with the rest of the movie’s soundtrack as in the previous chapters. There was no real appearance of the song in the soundtrack until the credits hit. Perhaps it was because the song was produced well before the movie production was completed (or even started), or maybe it was because the song itself is the vocalized version of the overriding theme of the series. In fact, the rearrangement of some of the previous themes were much more prevalent. Still, the song and its lyrics succeeded in not only capturing the essence of the final chapter, but also of the series as a whole. And the choral elements of the soundtrack made many of the more poignant scenes elegantly epic.

It’s probably the fanboy side speaking, but I have a difficult time agreeing with omo that Kara no Kyoukai is simply ‘pure otaku fodder.’ Kara no Kyoukai’s main appeal to me was its devotion to the idea of ‘words and scenes charged with meaning.’ Both the super-charged action sequences and the long drawn out muted moments had something to say beyond simple exposition. The animation pushed the limits on sublime and the story unfolded the deeper elements with beautiful precision. It certainly isn’t all that accessible to those without some previous exposure to serious business anime. However, I contend that while Type Moon fans are the predominant audience, at least the movies really made an effort to go beyond the traditional otaku fare for something a bit more universal. At its core, it is a love story, explored through a very introspective set of eyes. Yes, it is entertaining, moe moe kyun and all that. But it also presented a theme of human nature, specifically murder, in a unique and thought-provoking way. Pretentious, perhaps, but the extraordinary execution allowed it to earn its right to make its point.

Now that the series is over, I’m left with that rare feeling of being somewhat more enriched than before I started the series two years ago. And a strong preferential sentiment towards strawberry Haagen Daaz.

Blogging is a lot like exercise or any club activity. Once you miss a few sessions, it’s very difficult to get back into it. Luckily, I’ve been accruing topics I want to talk about, so I should be able to break this fortnight of silence relatively easily. I’ll start with a recap of all that’s gone on in the realm of otakudom the past 20 days.

-I got my certificate from the community college signifying that I completed the 10 weeks of evening Japanese classes. And I signed up to take the JLPT level 4 test this December. Now I just need to get some actual studying done before then.

-Love Plus is… inexplicably gratifying. Something about adjusting stat points to directly affect behavior and dating styles may be very idealized, but it is pretty entertaining. And it’s forcing me to practice my kana and kanji, so if nothing else, it’s a glorified Japanese learning supplement. Currently going steady with Nene, will see if I want to create new saves for the other two, as Manaka seems to be quite the popular choice.

-Starting kendo is probably one of the healthiest decisions I have ever made. I’ve lost 10 pounds since starting, as I’ve become more motivated to hit the gym and really watch what I eat. Plus, it’s really fun and challenging, despite still not being able to do much beyond the basic moves. Hoping I can go to more of the practices each week to speed up the learning process.

-Picked up the October issue of Megami at Kinokuniya today, mainly for the article about Kara no Kyoukai. Also see that there’s a really cool looking messenger bag and trading cards coming out next month that I really want to be able to get my hands on. Neither HLJ, HS, nor KN seem to have them available for pre-order. Still looking for a copy of the Volume 1 LE DVD, and recalled out summer.

Overall, I’m starting to feel my age, as each week seems to go by faster and faster, leaving me very little time to enjoy my hobbies more instead of constantly moving from activity A to B all the time. I do hope Fall Season has less stellar shows so I can catch up on some of the Summer shows I missed out on. And fit in an extra kendo session and kanji cramming sessions.

Well, it turns out that the $59.99 GSC Ryougi Shiki Garan no Dou 1/7 PVC figure was indeed a too-good-to-be-true bootleg. I definitely should have done more research before clicking buy now. Will probably file a PayPal buyer protection claim this week in hopes to recoup my losses. But a pretty downer of an experience all the same.

So what did I do to cheer myself up? Pre-order the upcoming Akiyama Mio and Ryougi Shiki Nendoroids from KNC. Tama-chan would be proud.

Inspired by Taiga and Shiki, I’ve decided to take up Kendo. Today was the first day, and my body is screaming at me for my idiotic fanboyish whims. My friend, who just started a couple weeks ago himself, was the one who invited me to his girlfriend’s dojo. Afterwards, we had dinner at her place, and she recommended watching Bamboo Blade, which I never continued after episode one. I have a feeling it might not be 100% representative of what life in a Kendo dojo is like.

Finished Higashi no Eden, and I guess the studio really wanted to save some material for the movies, as the ending was pretty bad at tying up loose ends. Was an enjoyable show nonetheless. A bit too praising of NEETs, I thought, but it’s a good idea nonetheless.

On some random survey, I put down that I would be more than willing to relocate to Japan for work. It would be an absolute dream to be able to live and work in Japan. It is currently a goal I’ve set to complete within three years.

New GETs: K-ON Vol. 1 Blu-Ray, Kara no Kyoukai Vol. 6 LE DVD, Good Smile Company Ryougi Shiki Garan no Dou 1/7 PVC. I’m going to be needing a new shelf sometime soon.

I am eagerly anticipating Love Plus. Pre-ordered it from Play-Asia, but wished I could’ve gotten in on Amazon Japan’s under cutting of independent game retailers.

I’m probably going to have to cut back on the spending this month. As much as I appreciate the anime I watch, $50 per two episodes takes quite a toll on one’s bank account. And I want to buy some R1 releases as gifts for friends. Operation stop visiting Amazon.co.jp, staarto!

When I was in Japan back in March, I got to see the Kara No Kyoukai: Gate of Seventh Heaven Remix, which was basically a short cliffs notes version of the 6 movies that had been released in theaters so far. When they got to the part for Oblivion Recording, I remember feeling very confused as to what was going on, which was compounded by the fact that I don’t know Japanese beyond a few words and phrases. What I was able to determine was that the 6th movie was distinctly different in style and mood from the other movies. So I was eagerly anticipating the release of the 6th DVD (even pre-ordered the LE version), to see just how different it was.

And it was drastically different, but it wasn’t necessarily in a bad way. There was definitely a lot less mystery (likely due to the amount of source material that was left out), and it was a lot more straightforward plot-wise. However, I really liked very refreshing take on the whole mahou-shoujo genre, with Azaka having just the right amount of fanservice scenes. I think moe would be stretching it, but it was definitely more light-hearted than the previous five movies.

However, the element of tragedy/darkness was still intact, albeit with a bit more subtlety. The whole movie, I felt very conflicted laughing at Azaka’s moe moments, and pausing at the underlying tragedy that was taking place at the school. After having read a synopsis of what was left out in the movie, I can see how the director was trying to let the audience (most of them fans) fill in the gaps and keeping the darkest items unspoken. And the gradual reveal of Azaka’s memories with Mikiya was thoughtfully executed, and it really raised my view of Mikiya and his inner strength.

I don’t really consider Oblivion Recording to be the “calm before the storm” that will be the next and final movie. I think this one stood on its own quite well. Especially the absolutely gorgeous visuals. It did make me question where such a place existed that was so green in the dead of January. But the beautiful backdrops combined with smooth animation and fairly epic special effects made Oblivion Recording a very eye-pleasing experience. And Kajiura-sama’s trademark touch created a hauntingly soothing soundtrack that really completed the other-worldly fantasy atmosphere.

Like with the previous five movies, I had to watch Oblivion Recording at least three times in order to fully appreciate all that I mentioned above about the movie. It started out feeling like the weakest in the series, but I can now easily place it as an equal amongst the others in what has become my most beloved series. I cannot wait for Murder Speculation (Part 2) to be released on DVD, but I’ll also enjoy watching the 6 released movies over and over again until then. I think ufotable should release Gate of Seventh Heaven: Remix on DVD, as it would make a nice distraction until the final movie comes out on DVD. Or they could animate the extra chapter, Recalled Out Summer, which would make me super happy (and I haven’t even read it).

And all this Rakkyo love-fest got me to track down a fairly priced eBay auction for the GSC Ryogi Shiki Kimono 1/7 PVC. Now if I can only track down a new copy of the Vol 1. LE DVD…